Top 10 Most Desired Digital Cameras of 2025 Under $2500 | The Best Mirrorless Cameras on the Market

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

You guys know I’m a Canon girlie through and through, but that doesn’t mean I don’t spend my days pining over other brands and wondering what it would be like. There are moments when I’ve considered selling all of my Canon gear and converting, just to try something new and inspire myself in an exciting way. Shooting with new gear is a great way to prevent burnout, especially when photography is your full-time job, like mine. It’s been 13 years since I first started my business and decided to commit to it fully. There have been moments where I’ve wanted to give up. Moments where the hustle was just too much. But whenever I start considering other professions, they just don’t fulfill me in the way that photography does. Photography is my passion, my obsession and my true love. I’m about to head to the Bild Expo with B&H in New York City next week and I can’t wait to learn and experience everything new that’s going on in the photography industry. In the meantime, I wanted to share the cameras that have caught my eye this year and that I would recommend to photographers who want to enhance their photography game, so without further ado, here are the Top 10 Most Desired Digital Cameras of 2025 Under $2500 - The Best Mirrorless Cameras on the Market.

 
 

1. CANON EOS R6 MARK II

I can’t help but start off with this camera, because, yes, it’s Canon. But I sit at home, hoping and praying that one of these will fall out of the sky and into my lap. I currently shoot with the Canon 5D Mark IV as my main camera, and the Canon EOS R as my backup camera. But I recently invested in the Canon RF 28-70 f/2 L USM lens ( I have a full blog post about this lens here) and the EOS R just isn’t up to par with what this lens is capable of. My plan is to upgrade to the Canon EOS R6 Mark II next year so hopefully I can make that happen! Or maybe I’ll get lucky and win the giveaway at the Bild Expo next week… Anyway. One of the main reasons I want this camera is for the in-body stabilization. The RF 28-70 f/2 lens does not have image stabilization so it would greatly improve my low-light images at weddings and events. It also has dual card slots, which is really important when doing client work. It’s always a risk going into a shoot with only one memory card. What I love about the Canon mirrorless cameras and the newer line of RF lenses is how incredibly sharp they are. I feel as though they are finally competing with Nikon and Sony when it comes to sharpness. It also has a full-frame sensor, 4K video at 60 fps, amazingly fast autofocus, long battery life, 24.2 MP images, a flip-out screen, and excellent low-light performance (ISO 100-102,400 expandable up to 204,800). Overall though, the main reason I love Canon so much is because of the natural color tone and beauty of the images. I find them to be moody, cinematic, and unique when compared to other brands. Canon definitely has their own “look”, which is why I’ve found it hard to switch to other brands. Another reason I love Canon is because I don’t find their cameras to be overpriced. For $2000, it really is the best bang for your buck out of this list.


WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 
 

2. SONY A7 IV

Sony is really good at almost getting me to convert. Their cameras have excellent video, superbly sharp images, incredible full-frame sensors and super fast, reliable autofocus. The Sony A7 IV is a highly desired camera this year, especially for videographers who dabble in photography. The sensor is 33 MP full-frame which definitely beats out the other cameras on this list in that category. I also love how small the Sony cameras and lenses are because I definitely get tired of lugging Canon’s giant gear around. When it comes to video especially, smaller gear is important because you want your video to be smooth and stable. It’s very difficult to hold a Canon camera steady for a long period of time because they are so dang heavy. The only reason I didn’t switch to Sony is because of a deal-breaker for me - it doesn’t have an in-camera multiple exposure feature. For a lot of people, this is not an issue, but multiple exposures are a huge part of my photography style. Some other features of this camera include 4K video at 60 fps, in-body stabilization, and ISO 100-51200. I’d highly recommend this camera for videographers who want the possibility of stunning images as well. Sony truly produces amazingly sharp photos and video. For around $2500, it’s one of the more expensive cameras in this group, but Sony does not disappoint. I feel like Nikon and Canon used to dominate the industry, but Sony has definitely made it’s way up the ladder and is battling for that top spot.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 

 

3. NIKON Z6 MARK III

Oh, Nikon. They are pretty much Canon’s main long-time rival and evil twin sister. Though, there’s really nothing evil about them, it’s just how I like to think of it. :) It’s just funny when I’m shooting at a wedding and someone is carrying a Nikon camera and says, “Oh, I see you shoot Canon.” It’s ridiculous, but it’s just the way it is! I have a Nikon film camera, the Nikon FE2, that I’m absolutely obsessed with and take with me everywhere. I definitely have an affinity for Nikon’s old film cameras because they have super sharp old-school lenses. The Nikon Z6 Mark III is majorly competing with Sony right now when it comes to video, with this camera capable of 6K video up to 60 fps. It has a “partially stacked” 24.5 MP sensor, which allows for faster autofocus, file reading, and higher frame rates for video. This camera is known as sort of a “flagship” camera, one of the first of it’s kind in this category. It’s sort of hard to deny this camera, but for me it ultimately comes down to the images and the overall color tone, considering photography is my main “thing”. But if you are equal parts photographer and videographer, I’d go for this camera, for sure. It’s also an incredible deal for the price. This camera packs a punch and has a lot of fun creative options built into the camera, like a Rich Tone portrait mode and skin-softening. If I had started off with Nikon and that was my shtick, I’d be freaking out over this camera. For around $2100, I truly can’t believe how affordable this camera is for what you get.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 
 

4. PANASONIC LUMIX S5 II

I’m not sure why this camera keeps calling my name, but I’m desperate to have one on my shelf at some point. When I was deciding whether to upgrade to the Canon 5D Mark IV or entirely switch my gear over to a different brand, something about the Panasonic Lumix cameras caught my eye. I was looking at the Lumix S1 at the time, but the short battery life ultimately turned me off from it. But the Panasonic Lumix S5 II has definitely improved upon that, and more! This camera boasts a 24 MP full-frame sensor, phase-detect AF (for the first time with their Lumix line), highly-regarded in-body image stabilization and up to 6K video at 30 fps. The main reason I’m drawn to this camera is the in-body image stabilization because it’s known to be one of the best. Plus, this camera is more affordable than some of the other options at ~$1700. I also just love the look of it and find it to be much more attractive than Nikon cameras… sorry…

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 

 

5. FUJIFILM X-H2S

Ugh, I’ve ALWAYS wanted a Fujifilm camera! The Fujifilm X-H2S does not have a full-frame sensor but it still packs a powerful punch with it’s APS-C sensor. The video is known for being incredible, with fast autofocus and subject-tracking. If I was a videographer, I’d have a hard time deciding between this camera, the Sony A7 IV and the Nikon Z6 III. I actually love the way the Fujifilm images look because I find them to have a bit of a film-like quality, with a cinematic feel and unique color experience. If I had endless funds, I’d purchase this one just to have fun with. It has 6.2K video recording and has better low-light performance than previous models by Fujifilm. It also has dual memory card slots, one of those “magical stacked sensors” and film-simulation modes (which I would definitely have tons of fun with). Overall, I find the images and video to be the most unique with this camera, so if you want to stand out and offer something different than the norm, this is a great option. At around $2500 it offers a lot and truly can stand up to the others in its category, even with an APS-C sensor.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 
 

6. SONY A6700

If you’re working with a lower price point but you still want incredible videos and photos, the Sony A6700 is a great place to start at around $1400. Just because it’s cheaper though doesn’t mean you can’t create incredible work with this camera. It has a 26 MP APS-C sensor, 4K video at 120 fps (let’s be real, who needs 6K video anyway) and is incredibly compact for what it offers. I’m always down for a tiny camera. Sometimes the more expensive cameras get so much hype, but for the average photographer/videographer this camera does just fine. If you’re good at what you do, you can definitely achieve amazing things with this camera. This camera is coveted by content creators for it’s price point and versatility, with a flip-out screen, mic inputs, and image stabilization. If you consider yourself a video/photo hybrid creator, this is a great option for you at a low price point.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 

 

7. CANON EOS R8

The Canon EOS R8 is another budget option that stands out in its class. If you aren’t willing to shell out $2000 for the Canon EOS R6 II, this one won’t disappoint. This camera actually has the same full-frame sensor as the R6 II but does not have in-body stabilization. It’s really just a budget version of the R6 II. If you’re already shooting with a camera that doesn’t have in-body stabilization, then you probably won’t miss it much. But once you get used to shooting with IBIS, it’s super hard to go back. What’s great about this camera is that it’s super lightweight and perfect for traveling, which is a feature I’m always on the hunt for. It reminds me of the Canon 6D Mark II which is a DSLR but is budget-friendly and still capable of incredible images. If you’re photography-focused and working within a specific budget, this is the camera I’d recommend. It currently retails for about $1300.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 
 

8. FUJIFILM X-S20

Since I’m on a roll with budget-friendly options, the Fujifilm X-S20 is the low cost version of the Fujifilm X-H2S I mentioned earlier. For ~$1200 you can still get 6.2K video at 30 fps and a 26.1 MP APS-C sensor. It’s known for it’s small body and 5-axis in-body image stabilization. You get a LOT for the price point, including the fun film-simulation options that Fujifilm is known for and the high-end video capabilities. It’s great for content creators because of the dedicated Vlog mode and touchscreen. It’s a great place to start your business if you’re video or content focused but still want the option of taking photos that are unique and film-like. Honestly, I’ve been considering investing in one of these just because it is somewhat affordable and I really want to spend some time messing with those film-simulation modes. I always prefer film photography over digital when possible, so it would be nice to avoid the expenses of shooting film.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 
 

9. CANON EOS RP

Ok, I couldn’t help but include one more Canon camera, just because a lot of people ask me which Canon cameras are good for beginners. The Canon EOS RP is a great mirrorless camera and only costs around $800. Since it’s an RF mount, you can use the RF lenses which are a newer line of Canon lenses and are much sharper than the EF lenses. If you’re working with a budget, the Canon RF 50 mm f/1.8 STM lens is a great place to start for only $200. If you have the dough for it though, I’d recommend the Canon RF 50 mm 1.4 L VCM lens at $1400. With Canon lenses, the more you’re able and willing to spend, the more it will pay off. With the Canon RP though, it’s kind of insane that at this price point you get a 26.2 MP full-frame sensor and 4K video. It’s also super small and great for travel, along with WiFi, bluetooth and an ISO range from 100-40,000. It’s crazy to think you can get all of this for $800 these days. When I first started getting into photography, I paid quite a high price for the Canon 5D Mark II which only had a 21.1 MP sensor, 1080p video, and an ISO range of only 100-6400.

WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

 

 

10. LEICA SL2-S

I know this camera doesn’t fall under $2500, but a girl can dream, right? Leica is really considered more of a luxury brand, and you don’t necessarily get a whole lot more for the price, other than bragging rights. It includes a 24 MP full frame sensor, 4K video at 60 fps, in-body image stabilization and incredible lens options. The Leica SL2-S is around $4800 and is one of the cheaper, more affordable options from their camera line. The expensive lenses amp the price up even more. But if money is no object and you want the best of the best, these cameras are highly coveted and will awe your friends and family. They are beautifully designed and are crafted for photographers who cherish their cameras and value the history behind photography. Leica created the very first 35 mm film camera in the 1920s and is known for their minimalist designs and attention to detail. Think of this as the Porsche version of a camera. Maybe one day you’ll see one of these sitting on my shelf…. one can only dream…


WHERE TO BUY

B&H Photo

Amazon

KEH Camera (used)

If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

Contax Carl Zeiss 140mm f/2.8 Sonnar T* Lens Review & Sample Photos | The Best Lenses for the Contax 645

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

When I first bought my Contax 645, it came with two lenses, the Carl Zeiss Planar T* 80mm F/2 Lens lens and the Carl Zeiss Sonnar T* 140mm F2.8 Lens. For years, the 140 mm lens just sat in my bag collecting dust. I tend to shoot wide and I find it slightly annoying to have lenses that have a longer focal length than 80 mm. However, I recently decided to challenge myself and try out the 140 mm lens! I took it with me to a few different photo shoots to really get an idea of how it handles. It’s always a little nerve-wracking to try out new gear because you just don’t know if you’re wasting your time and your expensive film! Luckily, the photos turned out amazingly beautiful and now I’m wondering why I left this lens in my bag for so long! I definitely want to take it with my on more of my future nature trips because I’m always looking for a way to capture mountains or stunning waterfalls off in the distance.

The Contax 645 is, by far, one of the nicest cameras I own. I have a full blog post about it here that features photos taken with the classic 80 mm lens that most people tend to use with this camera. The only downside with the Contax 645 is how huge and heavy it is. But every time I get a roll of film back, it’s more than worth the challenge of dragging it with me everywhere. The photos are like nothing else, in my opinion. You can also watch my YouTube video about the Contax 645 here where I take it with me on an adventure to Mount Rainier in Washington State!


REVIEW OF THE CARL ZEISS SONNAR T* 140MM F2.8 LENS

I was a little bit worried that the 140mm f/2.8 wouldn’t stand up to the 80mm lens f/2 that I’ve been used to. But I really should have known better considering the 1400mm is a Zeiss lens! Zeiss is known for creating lenses that are SUPER sharp and reliable. I had this idea that I’d get back images that just weren’t exciting, but that wasn’t the case at all. These lenses are incredibly sturdy and well-made, with high-quality optics and functionality. I was also worried that the lens just wouldn’t work, especially because it had been sitting in my bag, stagnant, for a decade. But it came back to life as if nothing had happened at all! I was still able to get that dreamy background blur and those super sharp landscape shots that I love the Contax 645 for, even dropping back from an f/2.0 aperture to an f/2.8. In general, I tend to prefer lenses with a wider aperture because I love the dreamy, surreal quality that they can create. But I was pleasantly surprised with the bokeh and background blur of this lens, likely because it does have such a long focal length and is so zoomed in naturally. I don’t typically use telephoto lenses or lenses past 100mm focal length, so it was a new experience for me. I did find myself backing up sometimes to get the images I wanted, but I’m sure that is just something I’d get used to after a while.

This lens also has a “T*” coating, which is a technology that Zeiss implemented to help reduce flare and ghosting. Personally, I don’t mind a little flare but I noticed that this lens did handle light extremely well and creates absolutely beautiful portraits. The Contax 645, in general, is an incredible camera, especially if you’re looking to create stunning, fine art portraiture. When I first started getting into photography, a few of my all-time favorite photographers used the Contax 645. I was in awe of their portraits and knew that I’d have to get one in the future. When I finally was able to purchase one, it felt like I had reached a new level as a photographer.

The autofocus is a little slow with this lens, but when I’m using this camera I’m typically working slower anyway, making sure I don’t waste a single frame. If you’re trying to shoot extremely quickly, I wouldn’t recommend a camera like the Contax 645 anyway. It’s really meant for slow, precise photography and not sports or fast motion.

Overall, I love that this lens didn’t disappoint me at all, and in fact, surprised me with how much I loved the images! I had convinced myself that there was no way this old, unused lens would be able to create beautiful photographs, but it definitely did. I’ve included a bunch of sample images below that I’ve taken with it over the last few months so you can decide for yourself!


WHERE TO BUY THE CARL ZEISS SONNAR T* 140MM LENS

KEH Camera

Etsy

eBay


The Contax 645 is expensive, but it’s also highly desired. If you’re on the hunt for one, here are a few places you might be able to find one!


WHERE TO BUY THE CONTAX 645

KEH Camera (not always in stock, but you can keep checking back!)

eBay

Etsy


For these images, I used Cinestill 400D 120 film and Kodak Portra 400. You can check out more of my 120 film recommendations on my blog here - The Best 120 Film Stocks and Where to Buy Them.

If you found this post helpful or inspiring, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine


Canon RF 28-70mm f/2 L USM Lens Review - Is it Worth the Cost? - Why I Chose It Over the Canon RF 24-105mm f/2.8 L IS USM Z Lens

(By using the affiliate links and/or codes in this blog post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

Here we go - the Canon RF 28-70mm f/2 L USM Lens. It took me WEEKS to decide between this lens and the Canon RF 24-105mm f/2.8 L IS USM Z Lens. They both had so many positive attributes. I desperately wanted a lens with a longer zoom capability for weddings, but the idea of having an f/2.0 aperture on a zoom lens, with the stunning portrait & bokeh capabilities of a prime lens, was also majorly enticing. After over a decade as my main lens, my Canon EF 24-70mm f/2.8 II L USM lens had finally kicked the bucket. It was time for an upgrade. I had an upcoming wedding on the books and needed to make a decision pronto so I could have it in time for the wedding. I even pulled my husband into the discussion and we spent days trying to decide what made the most sense for me and my style of photography. I wanted to share the three main reasons why I chose this lens over the highly desired Z lens so that, hopefully, I can help you in your decision!

  1. Beauty Over Functionality

The main question I kept asking myself was, is it more important to create beautiful images or have better functionality and reach at a high-paying event like a wedding? I’ve always wanted more zoom at weddings. I’ve been using the Canon EF 24-70mm f/2.8 II L USM lens for over a decade as my main lens at weddings. Every time I was standing in the aisle at a wedding and the couple was exchanging wedding rings, I dreamt of having just a little more reach to get close ups of their hands and rings. I imagined beautiful candid moments of guests across the room who didn’t realize I was taking their photograph. I wished I could zoom in on a mountain off in the distance or a butterfly on a flower and create images that only true nature photographers could achieve. But at the end of the day, I’ve always valued beauty and creativity over functionality. While this isn’t the case for every photographer, I realized it was for me. I wanted that extra background blur for my wedding portraits. I wanted just a bump of an upgrade to the low-light images I’d been creating for years. I wanted something BETTER than the images I’d been able to create with an f/2.8 aperture. I wanted to WOW my clients with dreamy, intimate portraits that were better than the norm. I knew this lens would give me that extra dose of magic I was looking for.

2. Low-light ABILITIES

I’ve spent over a decade getting along just fine with an f/2.8 aperture. It allowed me to capture images decently late into the evening at a wedding, but as the sun went down, I’d slowly make my way into using my Canon EF 50mm f/1.2 L USM lens to finish up the evening until I’d eventually switch to using an on-camera flash. This set up worked great for years and years. But in post-editing, I’d have to touch up some of the noise and grain that made it’s way into those evening photos as I bumped up the ISO on my camera. I always prefer natural lighting over flash, so it’s super important to me to be able to take as many photos as possible until I absolutely have to switch to a flash. I knew with 100% certainty that the better low-light performance of this lens would come in handy for me. I just photographed my first wedding with it and it honestly removed some of the stress that I’d face as the sun went down. I was able to use this lens up until the late-night dancing began. The images are truly stunning. This is also my first RF lens, and I’ve been dreaming of trying one out for years. It’s true that the RF lenses have a beautiful, natural sharpness that is just more expensive-looking than the EF lenses.

3. A Prime Lens in a Zoom Body

This one was hard to deny. Who wouldn’t want the features of a prime lens in a zoom lens body?! The magic of zoom lenses is that they are versatile and can speed up your photography in a setting like a wedding where you’re capturing intimate, candid moments. You can use them for food photography, detail shots, events, portraits, fashion, everything. And I did. I used my Canon EF 24-70mm f/2.8 II L lens for everything. But if I was photographing headshots, or intimate wedding portraits, or wanting images that were more surreal, cinematic, and unique, I’d bring out one of my prime lenses like the Canon EF 50 mm f/1.2 L or the Canon EF 85 mm f/1.2 II L lens. It just made people look more beautiful, it made flowers look more magical, it made moments seem more special. But prime lenses can be limiting. You’re stuck with a single focal length and often have to work around your circumstances to create the image you’re looking for. It can be exhausting. It can slow you down. It can limit your ability to create a variety of images quickly. Once I understood the reasoning behind this lens, that Canon’s goal WAS to create a prime lens with zoom lens functionality, it pretty much sealed the deal for me. And what’s funny is that after shooting my first wedding with this lens, I realized I hardly touched my 50 mm f/1,2 lens at the wedding. This means that the lens was fulfilling two functions for me, a zoom lens AND a prime lens. It really is both of those things in one!

A FEW THINGS TO CONSIDER

While this lens is incredible, I wanted to share a few of the things that almost turned me away from this lens. First of all, it’s HUGE. It’s HEAVY. It looks a little ridiculous on my tiny Canon EOS R body. If you think about prime lenses and how chunky they are, it is exactly like that, but with a zoom barrel added. It’s a CHUNK-MEISTER (the same nickname I’ve given to my new French bulldog puppy…). Weight is a huge factor to me when adding cameras and equipment to my collection. My camera was already so heavy and I’m not a large human so these professional DSLRs and giant lenses feel supersized on me. I compared the weights between the two lenses I was considering - 3.15 lb / 1430 g for the Canon RF 28-70mm f/2 L USM Lens and 2.9 lb / 1.3 kg for the Canon RF 24-105mm f/2.8 L IS USM Z Lens. Not a huge difference, but it was a factor in my consideration. After discussing with my husband though, we realized that with my history of bumping into walls and hitting my zoom lenses on corners constantly as they are hanging on my side, that the extra length of the 24-105mm lens might lead me to some issues. The 28-70mm lens is a bit more compact length-wise, so I knew that could mean a matter of life and death when it came to the lens and it’s lifespan with me. The 24-105mm lens has a length 7.8" while the 28-70mm lens is only 5.5". I’m often carrying two (or more!) cameras on me at any given time and I tend to get tangled. The extra length on the zoom lens would eventually start to bother me, and I knew that.

The other major thing to consider is that, because the 28-70mm lens is essentially a prime lens, it does NOT have image stabilization. My husband tried to argue this point with me for a while, because he’ll occasionally use my lenses for video. I know for some people this will be a deal-breaker. For me though, I’ve already been using my 24-70mm f/2.8 lens for over a decade without image stabilization and I’ve been able to create images that are beautiful and perfectly sharp. It’s really a matter of understanding when to bump up the ISO, when to speed up the shutter, and when to open up the aperture. Over the years, I’ve learned how to work around it, so I knew I wouldn’t miss what I’ve never had. However, I’m currently using the 28-70mm lens with my Canon EOS R, which is the very first mirrorless camera that Canon ever produced. It’s somewhat outdated and does not feature built-in image stabilization. My plan is to upgrade my EOS R next year to the Canon EOS R5 or R6 Mark II. My hope is that the built-in stabilization of those cameras will benefit me and my images, even if it’s just a tiny bit.

I was also a little bit bummed that I was losing 4mm of focal length by changing from the 24-70mm to 28-70mm. I love shooting super wide angle photos, especially at weddings where I’m trying to capture a full interior space. I use the full 24mm more often than I’d like to admit. My husband looked it up and it actually only accounts for about a foot of distance. So, hypothetically, if I just take one step back, I could account for the loss of focal length. However, at a wedding or in a tight space, I sometimes find myself up against the wall, unable to back up anymore, even with the 24mm lens. I’m still a little sad about it, but I don’t miss it when I’m outside or with plenty of space to back up. It’s only in those tight spaces that it would come in handy, and I don’t think it will happen as often as I think. In most situations, I will likely be able to take a step back.

And yes, obviously, it is expensive. It was a punch in the gut to purchase it. BUT! Here’s how I justified it. I used my Canon 24-70mm f/2.8 II L lens for about 12 years as my main lens (you can read my full review of this lens on my blog here). It carried my business. It represented me and my work for YEARS. My husband and I did some quick math and determined that the cost of the lens was less than 1% of the entire amount of money it made me over 12 years. You can’t argue with that!

SO, WAS IT THE RIGHT CHOICE?

Ok, so I’m known for being one of the most indecisive people in the world. I’ll made a decision and then spend weeks convincing myself that it was the wrong one. But I’m being 100% honest when I say, I know with full certainty that I made the right choice for me. After trying this lens out for a few photo shoots and a wedding, I came away from the shoots inspired, excited, and surprised by the next level that this lens has brought my images to. I’ve spent the past few years feeling a little burnt out, and it’s amazing what new gear can do for a photographer. I can hardly even wait for my next photo shoot! The limitations I used to experience with my 24-70mm lens aren’t there anymore. I can now get that dreamy background blur that I’m always looking for, and that beautiful low-light sharpness and low grain that is so important for weddings and indoor event photography. And I don’t miss or wish for that extra zoom that the 24-105mm would have given me, simply because I just wouldn’t have used it that often. It didn’t make sense to have that extra zoom if I’d only use it for a handful of images every year. So, YES! For me, this was the right choice. I hope that this post has helped you in your journey to make a decision.

And of course, there were a few lower budget lenses that I was considering while hunting for a new lens. The Canon RF 24-70mm f/2.8 L IS USM Lens was also a major contender, as was the Canon RF 24-105mm f/4 L IS USM Lens. The problem with these was that I didn’t feel that they would greatly enhance my work, just because I was already using an f/2.8 zoom lens for so long. But they are both great options, and would save you some dough! And at the end of the day, the RF 24-105mm f/2.8 Z lens is going to make more sense for a lot of people, especially if you shoot a LOT of weddings, because that extra zoom length and image stabilization is hard to turn down. Even when I was purchasing my lens, the store associate said the Z lens was extremely popular. It wasn’t even in stock when I ordered the 28-70mm! You can find it on B&H Photo here though, if you’re on the hunt for one!

WHERE TO BUY THE CANON RF 28-70MM F/2 L USM LENS

B&H Photo
Amazon

WHERE TO BUY THE CANON RF 24-105mm f/2.8L IS USM Z LENS

B&H Photo
KEH Camera (used)

MORE AFFORDABLE OPTIONS

Canon RF 24-70mm f/2.8 L IS USM Lens

B&H Photo

Amazon

Canon RF 24-105mm f/4 L IS USM Lens

B&H Photo

Amazon

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If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

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